Reflecting on the guiding questions we used in our little Flemish circle (How do we … out of deep respect and love? How can I respond out of love even if I don’t like what you said? How to show respect to others even when I am in a hurry?) I came to wonder: Why […]
Category: chapter 1
1.5 Preparing the first Women Moving the Edge gathering
In the hosting team of this Danish Moving the Edge gathering were a few women: one a dancer-performer by profession; Finn’s wife Tina, and myself. We tried to bring in more of the ‘body-stuff’ (dancing, drawing, walking etc.) in the preparation upfront. I wrote even a little article ‘Beyond Words: Body, Movement, Art, Nature’ as […]
1.4 Being present as a process
Since this book is inviting you to explore the possibilities of Collective Presencing, it is easy to understand that first of all we need to strengthen our individual capacity to be present. For our purposes here, subtle sensing and embodiment lay the foundations on which we will build further capacities which I will describe throughout […]
1.3 Subtle Sensing and the Body
Working together We shape our self to fit this world, and by the world are shaped again. The visible and the invisible working together in common cause to produce the miraculous. I am thinking of the way the intangible air passed at speed round a shaped wing easily holds our weight. So may we, in […]
1.2 How Women Moving the Edge started
In the autumn of 2005, the late Finn Voldtofte sent out an email calling for volunteers to join a team to host a gathering called Moving the Edge of Collective Intelligence. I had first met Finn a few months before in Devon at the Kaleidoscope Café gathering — a retreat for practitioners of World Café […]
1.1 Beginning of the New Beginning
Chapter 1. I and Myself: Being Present This is part 1 of chapter 1, named: I and Myself: Being Present. Only later will the implication of the different chapter names become clear. To explain it here at this stage would be too onerous, so let your self be guided through the parts and the chapters, […]
Introduction to the book
To write authentically about any territory, such as ‘art’, one has to go there – to take a dive into that gap, plunging toward the territory as deep and as far as one can let oneself go. To extend the metaphor, we have to dive for as long we can hold our breath – which […]